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About the cover, edition #25

11/11/2022

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Nov/Dec 2022 edition
Issue #25 AutoMobilia Resource Magazine
​Written by Sharon Spurlin

Michigan Attic Find 
Breaks Million Dollar Ceiling!

“Go big or go home.” This phrase may be heard often, but it’s rarely executed well. Few are willing to step up in a sizable way in any business – and perhaps less in the relative stepchild of the classic car world, automotive collectibles. But Richmond Auctions has done just that. In less than two years they have indeed gone big in this space, finding and selling an incredible number of investment-grade advertising pieces, including this record-breaking 48-inch Musgo Gasoline sign.
Musgo Sign Auctioneer David Meares.jpg
Auctioneer David J. Meares kept the excitement going!
Featured on this issue’s cover, Musgo Gasoline is considered by many to be the holy grail of antique advertising signs. Originally located in Muskegon, MI, the company is believed to have been open for less than six months in the mid-1920s. After Musgo’s demise, a plumber took over the building and repurposed most of the signs for use as septic tank lids. As you can imagine, the fumes did them in, destroying the down sides of the signs, while seasonal weather worked to damage the top sides. Very few, perhaps 20, were made, and only a handful of those are believed to have escaped the plumber’s unfortunate recycling plan
AutoMobiliaResourceCover25.jpg
An “attic find,” much like a “barn find” in the classic car world, is where mint-condition signs are often found. This one spent most of its life lounging away in an attic somewhere in Michigan, just waiting to be discovered. When this NOS (New Old Stock) sign was found, Dan Matthews and Joey Whiteside from The Authentication Company were brought in and rated it at a pristine 9.5 and 9.25. This was the highest rating for a Musgo Gasoline sign ever, and Jordan Richmond knew in his heart that records were about to be broken.
RichmondAuctionsMusgoSign.jpg
Jordan Richmond, Seth Meredith and Mike Mccandless from Richmond Auctions.
When this sign was about to be auctioned, the highest hammer price known for an automotive advertising sign worldwide stood at $400,000. What could this one do? The day before the live auction, the Musgo had already reached $410,000 through website bidding – and excitement was building. Calls, e-mails, texts, social media posts and comments were reaching a frenzy. Then, on auction day, August 27, 2022, four major collectors vied for ownership. One dropped out at $900,000, and another dropped out at $1,100,000. The two remaining bidders slugged it out until the hammer came down at $1,350,000, plus buyer’s premium of 15%. The final winner would ultimately be paying $1,552,500 to hang this rare sign in his garage!
​

Makes one wonder what could be hidden away in your own attic…?!? Richmond Auctions is planning its next auction for February 2023, and is currently on the hunt for quality consignments. More info at RichmondAuctions.com or 864-630-1137.

Sharon Spurlin
AutoMobiliaResource@gmail.com

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About the cover, edition #6

7/15/2019

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July/Aug 2019 edition
Issue #6 AutoMobilia Resource Magazine
Michael Furman - Cover Photographer
​Written by Peter Bourassa
Creating Speed! Tony Sikorski
Picture
My introduction to Tony Sikorski came from Publisher Sharon Spurlin along with several of the images pictured. I was immediately taken by them. They are attractive, bright, clever, and what I found most appealing, whimsical. 
​
Tony Sikorski is multi-dimensional. He is a member of AFAS and for those of you unfamiliar with the Automotive Fine Arts Society, it is, by design, a small group of, as its name implies, automotive fine artists. AFAS is recognized worldwide. Membership is by invitation only. And “whimsy”, is not a criterion of membership.  Tony Sikorski is a complete artist! And a car person! And he has successfully found the means to create art that appeals to ten year olds, their fathers, and their fathers.  
An auspicious beginning at Ivy art school in Pittsburg, PA, followed by several jobs with prestigious art studios, led Tony to start his own graphic business in 1976, which by 1982 became a full-fledged studio with 9 employees.  In 1992, he retired and closed up shop. At that time, he decided to rekindle his love of work with automotive art. 
​
Tony has always loved cars, and he knows about them. His sweet spot is the pre 1950s period, particularly the American and European Art Deco cars of the 1930s. When he finally retired from the business world, he went back to making his sculptures, and taking them to local shows. To his surprise, they sold quite well and that prompted him to expand his horizons and his offerings. Today as an AFAS member his work is displayed at Pebble Beach, Amelia Island, Hershey, and Cavallino. All prestigious motorsports venues.  
Tony-Sikorski-art-Firebird-front-3q
His first works were done with corrugated cardboard and his finished pieces often looked like highly polished plastic. He has since moved on to wood and stainless steel. Tony says, “I like to make automotive art, that people just ‘gotta have’ when they see it.  It immediately speaks to them, and they can’t walk away!
Tony-Sikorski-art-licenseplate-845
Some of Tony’s sculptures sell for as much as $3,500 and others, which he does for the kids that come to the shows he attends go for as little as $25. All of his work is “one-off” originals. His latest creations use actual license plates within the sculpture, like the one featured on this issue’s cover.  He hunts down old license plates with patina and rust for character.  If you have old license plates to donate – he’d love to have them. 
Tony-Sikorski-art-licenseplate
If you want a customized license plate sculpture with your favorite plates or a particular name, color, phrase, etc., he can do that too, in either racing or touring version.  Prices for customized pieces range from $1,500 to $3,500
PuritanTonySikorskiCarArt
No matter the cost, all of Tony Sikorski’s work has the weight of quality, and is highly prized by collectors of automobilia.  

​Reach Tony at tonysikorski77@aol.com, 724-884-3782 in Pennsylvania, or go visit AutoArtGallery.com, to view more of his artwork, looking under AFAS Members.

​Peter Bourassa
TonySikorskiArtAquaCar.jpg

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About the Cover Edition #5

5/15/2019

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May/June 2019 edition
Issue #5AutoMobilia Resource Magazine
Michael Furman - Cover Photographer
AutoMobiliaResourceCoverLaliqueEagle
Pictured is a 1940 Packard Darrin with the beautiful Lalique Eagle mascot.  This Darrin was the featured car at the 2018 Elegance at Hershey, it was displayed prominently on the cover of their event program.  It is also a part of Ralph Morano’s renowned American car collection, and he was the honored guest during the event.

The Lalique Eagle mascot was quite popular for its commanding design and sturdy build.  It was unlike other, more artistically graceful mascots, which suffered the unfortunate malody of being easy to snap off.  Found often on stately cars of the time period such as Mercedes-Benz, the majestic Darrin however certainly did it justice!     MF

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About the Cover - Edition #4

3/1/2019

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Mar/Apr 2019 edition
Issue #4 AutoMobilia Resource Magazine
Michael Furman - Cover Photographer
I went to Bonham’s auction at the Simeone Museum in October 2018 and bid on several different lots of automobilia.  My only successful bid was on a lot of 8-10 books which held my interest. I felt very fortuitous to win this particular lot.
I thought I had the Schlumpf Obsession already, but I didn’t and was most glad to get it.  I also recommend you read Peter Bourassa’s column in this issue of AutoMobilia Resource for good insight into this favorite on pages 14-15. 

​The Packard book was one I had been looking for.  All were good treasures to increase my library and my knowledge of classic cars.
Finding quick and easy answers on the internet can oftentimes be misleading and rarely explains the details needed for the project at hand.  Books on the other hand....
AutoMobiliaResourceIssue4MarApr2019CoverAutomotiveBooks
AutoMobilia Resource Issue #4 March/April 2019 cover.
I love books and find having paper bonded together to intelligently educate on any manner of subjects completely empowering to the reader.  Most, if not every car guy has a library, which doubles as their office and a quiet place to do research on his or her latest project.  There is nothing like a book.  Solid and earthy smelling. Something of value you can hold in your hand and absorb, just like this magazine in your hands right now.
​

Michael Furman

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About the Cover - Edition #3

1/15/2019

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Jan/Feb 2019 edition
Issue #3 AutoMobilia Resource Magazine
Michael Furman - Cover Photographer
AutomobiliaResourceCover3KarenShapiroCeramics

As a young kid, I worked for my dad who had a number of delivery trucks kept in an old garage building.  This was back in the 1960s, and typical for a situation like that, there were countless old automotive artifacts, from a 1953 girlie calendar to oil cans, rags, broken jacks and plenty of lighting fixtures without working bulbs.


The thought of this damp, musty space causes memories to flood back – the smell of overflowed gas streaking down the sides of the gas pump, the slick spots on the floor – now is that coolant, oil, brake fluid, transmission fluid or black cherry soda – all reminding me of the wretched Econoline Van with the 3-on-the-tree, on which I learned to drive a manual shift.

​There’s a can of Simoniz in some state of disrepair, but I’m sure it was never used on the Econoline.  There were a number of 1-quart oil cans, most with their tops cut off – some filled with nuts and bolts, another filled with nails, and a few of them with the tops punctured, and some undetermined amount of undefined liquid in them.
BardahlValveLubricant_KarenShapiroArtist_MichaelFurmanPhotographer

KarenShapiroCeramicFusetronFuse

It’s this trip down memory lane that drives a lot of collectors, most looking back to the days of their youth when we had less on our minds, and the future was filled with hope.

God, I do miss those days! Not that I would swap them for today’s Porsche with the new PDK transmission. Or all of the racing videos I can watch on my phone, while sitting in a hospital waiting room to get another scan or blood test.  But this is where Karen Shapiro comes in.

Karen is a ceramicist who sees art in details most of us have looked at for years, but never properly acknowledged. Her work forces us to think about the shades of color, and the unique typefaces that an artist/designer 70 years ago labored over for days. All to elevate a message beyond the simple, “this is wax” or “this is oil”, to “this wax and this oil are special, a cut above the others, that will make your engine run better, and your charming MG-TD shine like new”, or whatever tagline the ad guys forced him to use. The client was concerned with selling wax or oil. The designer was concerned with producing a memorable design that made a strong first impression. Who knew that these pieces would be cherished today?

LEFT: That small fuse in the bottom right is actual size.  The large one is a beautiful ceramic piece of artwork by Karen Shapiro!  Her scale is ginormous!!!
Karen’s work is a poke in the eye. She glorifies the design of the original artist by magnifying it (in some instances by quite a lot) and forcing us to appreciate what was created on a can that sat on a shelf beside countless other cans, all of which silently screamed “look at ME!” The fact that each piece is instantly recognized is a measure of their success.  Much of Karen’s work is made to order, if you have something unique and personal, send her a picture, maybe she can help you relive your youth. Prices vary. Many are in the $1,600 range, but most importantly, every piece is wonderful.

Karen Shapiro’s outsized ceramic versions are reminders of the detritus that still litters the aging walls and dirt floors of our memories. Her versions never really rust or leak, but they are reminders of the ones that did. All they require is a gentle dusting from time to time to remind us of old cars and old friends, when everything was simpler. 

Thank-you, Karen.

Please visit WinfieldGallery.com to see more of Karen’s work.

Michael Furman

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About the Cover - Edition #2

11/15/2018

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Nov/Dec 2018 edition
Issue #2 AutoMobilia Resource Magazine
Michael Furman - Cover Photographer
AutomobiliaResourceCover2

Tis the season.  Our Nov/Dec 2018 cover is a depiction of just a few of the things we would like to give or get for the Holidays.

Whether it is a beauteous pin-up girl tin sign reproduction for your garage walls, or a great classic automotive book.  Whether a tie or a scarf for your loved one or yourself.  Even a small piece of a Bugatti to satisfy that craving for the king of all classic cars.  Each gift is personal, unique and collectible.  Enjoy the holiday  season, and see you in 2019!

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About the Cover - Edition #1

9/1/2018

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Sept/Oct 2018 edition
Issue #1 AutoMobilia Resource Magazine
Michael Furman - Cover Photographer
AutomobiliaResourceCover1

The Hispano Suiza Stork is one of the most well-known mascots in the automotive world.  Designed by Frederick Bazin to honor France’s renowned WWI flying ace George Guynemere. Hispano was involved in wartime aviation engineering, and the company adopted The Stork as being representative of France’s aerial successes.

​This example was photographed on one of the beautiful Hispano-Suiza cars within the Mullin Automotive Museum’s famed collection in Oxnard, CA.

MF

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    About the Cover

    An enlightening column about the cover of AutoMobilia Resource Magazine

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